May 1, 2019 posted by


I have received 5K red rushes with a resolution of X Posted by Video Geek Squad at 5: What are you waiting for? In the Avid bin the clip is listed as x so I’m confused as to whether Avid is maintaining all the original pixels or somehow scaling it into x but keeping track of the original dimensions. I added the column “Raster Dimension and that column shows the different settings.

Name: Nelkis
Format: JPEG, PNG
License: For Personal Use Only
iPhone 5, 5S resolutions 640×1136
iPhone 6, 6S resolutions 750×1334
iPhone 7, 7 Plus, 8, 8 Plus resolutions 1080×1920
Android Mobiles HD resolutions 360×640, 540×960, 720×1280
Android Mobiles Full HD resolutions 1080×1920
Mobiles HD resolutions 480×800, 768×1280
Mobiles QHD, iPhone X resolutions 1440×2560
HD resolutions 1280×720, 1366×768, 1600×900, 1920×1080, 2560×1440, Original

I just started the process but I’m curious will the resulting DNxHRHQX transcodes be x or will the maintain the original x pixel count.

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Newer Post Older Post Home. You are seeing the original size in the bin. Keep Source’s Frame Rate. Did you ever figure out a workaround? I assume Avid somehow keeps track of the original size dimensions so that any frame flex manipulations will translate properly in the end. My thoughts, having just been given similar footage. Have you tried the highest rated email app?

On my Red 4K x project of course the second shoot was shot at 5K Unfortunately nobody pays attention to the framing guides Visit Your Group New Members 2. I didn’t find a perfect solution but I noticed that one of the options — 4k at x — seems to be the same ratio, just reduced. Source dimension – Transcodes the clip at its original resolution.



Even if you transcode down to SD it will still say that for raster size. When this option is selected, the list of available codecs changes to the DNxHR family. On Sat, Dec 17, at 2: I don’t see my previous reply posted yet but I did a bit more research and here is what the Avid Media Composer Help says regarding Transcoding and Raster 4800×7200 Setting: Posted by Video Geek Squad at 5: This is what I would assume would be the intent of shooting at that resolution.

If you are just cutting it for a later conform, do it at HD, from transcodes I am only just realising that cameras basically make their frame sizes to maximise their sensors, and give people crop room for later. Is Avid somehow creating anamorphic pixels in the transcode process that a program 4080×2700 Media Info and other player software would recognize?

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Project Size yields x and Source Dimension yields x After this, the company decided to stick with fcp7 for the time being. So clearly Avid changes some metadata but the image appears the same so what is this setting really accomplishing?


working with X red files : Apple Final Cut Pro X

My 400×2700 experience in this area suggests that if we bake in the frame flex it will lose track of the original medias odd frame sizes. Saturday, December 17, Re: Raster Dimensions This option allows you to select the transcode raster dimensions. I wonder if anyone can help me with the following.

Hi Steven, I am having the same issue with my footage from a Red Epic.

Not 5K, only 4K but it seems to preserve aspect ratio and still allow to work in 4k at least. I assume that will allow for a proper online conform as the frame flex parameters they might apply in offline will properly translate to online sequence.

Never delete an email again with GB of free cloud storage. I just noticed in the Transcode window there is raster dimensions which can be set to project size or source original size. The first file has processed and in the bin it still lists the raster size at x but when I take the.